Allow me to introduce you to… my latest purchase! – a triptych created by Arthur Conlon, an Aboriginal artist whose work speaks volumes about his deep connection to his Wakka Wakka ancestry and the rich fauna of Queensland, Australia.

The Artwork

Imagine scenes of hunters chasing Frilled lizards, kangaroos, and turtles, all set against the backdrop of Bora Rings, ancient gathering places for Aboriginal communities. These paintings, delicately crafted on recycled “Yellow Pages” and framed together, capture the essence of a culture deeply rooted in nature.

Artist’s Motivations

Arthur Conlon paints what he knows: his Wakka Wakka heritage and the animals and land of Queensland. His work is about preserving those traditions and keeping them visible. You can feel the pride in it.

In words of Arthur Conlon himself:

This is my original artwork using water-based paint. The painting is based on hunting. The big circle represents a meeting place (Bora Ring). This is the main central point where Aboriginal people meet. The small circles are the tribes and the land they inhabit. Writing materials were not heard of in the Dreaming, so using their hands was the only way to mark their signature. They did this by putting ochre (rock paint) in their mouth, placed the hand on the cave wall, and blew the paint over it. This represents their signature or a mark to indicate the tribe belonging to that particular area of land.

Certified as Queensland Aboriginal Creation

These artworks are accompanied by a certificate from Queensland Aboriginal Creations (QAC), a former government-owned establishment that operated from 1958 to 2005.

QAC served as a prominent venue for the sale of genuine Aboriginal and Torres Strait Islander art, playing a leading role in the Aboriginal and Torres Strait Islander tourism retail market in Queensland.